16bit – A Square Meal

A Square Meal: 光のチップチューンVS闇のチップチューン対決コンピレーション2 (Eng)

It’s widely known the human propensity to classify everything. From the very first words we spoke in order to understand the things that surround us, everything seemed to be sentenced to fall into categories. In those early attempts to organize the world, the most primitive instincts led us to divide everything into two groups: the good and the bad. This way we could keep it simple but in order. That precise method to assign an adjective to all human and non-human phenomena conditioned our understanding, making room for mysticism. Soon, incredible tales of heroes and villains started to emerge. The good was associated with the pure, the immaculate, the heroic behavior, being the light the example par excellence. On the contrary, the darkness was always related to the evil, the malevolous, the prohibited.

Using the duality that the previous word salad set out, しのりゅー, who is an avid enthusiast of chiptune, came back for a second round of tunes exploring all the shades that are between the extremes. The result is an amazing compilation that, once again, features a facet of chiptune that, even when it’s commonly referenced in games, still has a lot to offer.

A Square Meal: 光のチップチューンVS闇のチップチューン対決コンピレーション2

English article
日本語はこちら

Dualidad, pieza clave y sustancia imprescindible en la construcción de todo buen juicio. La transmutabilidad presente hasta en el más pequeño recoveco de los anales de la humanidad nos presenta la más pura subjetividad necesaria para un razonamiento dicotómico y la formación de un análisis crítico sólido y bien fundamentado. El supuesto de dichas contrariedades trae consigo la incesante, y francamente aburrida, idea de conflicto, pero ¿es acaso necesaria en realidad? Basta con sacar la nariz por la ventana para darse cuenta de los límites tangibles de dicha problemática que, aunque en algunos casos más que necesaria, las más de las ocasiones solo es utilizada para justificar la defensa de los propios intereses. En la cotidianidad de la práctica diaria conceptos aparentemente opuestos se conjugan para crear cosas maravillosas. El ejemplo más simple, aunque a la vez el más complejo y antiguo, es el arquetipo de la duplicidad misma: luz y oscuridad. Al cobijo de dicha apreciación milenaria se han forjado obras maestras presentando lo mejor de ambos lados, pues, como es de imaginarse, no es posible uno si el otro. Siguiendo esta lógica, hace un par de años varios artistas del País del sol naciente fueron convocados por しのりゅー (Shinoryu) para crear piezas alusivas a dicha temática y presentarlas en una de las que, hasta ahora, es una de las mejores compilaciones que he escuchado. El día de hoy me gustaría hablar de la secuela de dicho compilatorio. Así que demos un vistazo a 光のチップチューンVS闇のチップチューン対決コンピレーション2, traída a nosotros por novtos.
Vamos a ello.

A Square Meal: 光のチップチューンVS闇のチップチューン対決コンピレーション2 (JP)

English Version
Versión en español
編集補助: さくさく

ご存知の通り「違い」とは人生にスパイスを与えるための必要不可欠な事柄です。このコントラストのおかげで思考、言葉、行動のいずれにおいても、その境界が明白になると思います。今日の社会では、調和のとれた共存が理想とされていますが、時には対立も必要ではないでしょうか。もちろん、異質なものを武力で攻撃するというような敵対的な対立のことではありません。この「違い」の尺度を利用して、数年前から、しのりゅーさんは相反する２つの概念の対立をテーマにしたコンピレーションを企画されています。今回は、「光と闇」というクラシックなテーマを取り上げています。では、「光のチップチューンVS闇のチップチューン対決コンピレーション2」を見てみましょう。

A Square Meal: ‘愛を喜ぶ街’ by 黒魔 / Chroma

Originally Posted on theChipWI Blog on September 17th, 2019.
Edited by Joseph Eidson.

The first half of this year was full of extraordinary music releases, and the name that signs this one is a synonym of quality. For those of you that may not be familiar with Chroma’s work, the huge range of styles and emotions he’s capable to express through music have not only been translated into an astonishing combination of techniques, but also into a distinctive fusion of sounds and an incomparable ability to tell stories. Of course, all of this in the form a huge catalog of compositions. All the tracks contained in this album are charged with a strong sense of consistency and are sharpened enough to work along with each other or on its own. So let’s take a look over Chroma’s first full-length album: ‘愛を喜ぶ街’ (Ai wo Yorokobu no Machi – ‘The Town that Enjoys Love’), released through not records.

A Square Meal: ‘あじたま見聞録’ (Ajitama Kenmon Roku) by 梅干茶漬け (Umeboshi Chazuke)

Originally posted on the ChipWIN Blog on January 10th, 2019.
Edited by Joseph Eidson.

Greetings! I’m Pixel Guy. When I was beginning my way on the fantastic world of chipmusic a few years ago, everything seemed to be so surreal. The ambience, the people, the hardware and techniques; it was like an anachronistic dream.

It was back then when I first knew about Chiptunes = WIN and listened to Volume 4 for the very first time. I can say that my life changed after those 3+ hours of music and that was, to a greater extent, thanks to all the marvelous artists on that compilation. One of them, 梅干茶漬け (Umeboshi Chazuke), made a really stunning creation and got my attention from the first second. When the track, and with it the compilation, was over; I was truly amazed with all the music I’d just heard. I wanted more, so I searched and listened to more content from a huge majority of all the artists that were on that Volume, and I kept an eye on Soundcloud to catch up new releases, especially from 梅干茶漬け. That’s how I began my musical adventure.
Today, I’m writing my first album review ever, and it’s something really special for me. That’s why I want to write about one of the artists who inspired me to take the musical way; so let’s take a look over ‘あじたま見聞録’ (Ajitama Kenmon Roku) by 梅干茶漬け (Umeboshi Chazuke)!