Dualidad, pieza clave y sustancia imprescindible en la construcción de todo buen juicio. La transmutabilidad presente hasta en el más pequeño recoveco de los anales de la humanidad nos presenta la más pura subjetividad necesaria para un razonamiento dicotómico y la formación de un análisis crítico sólido y bien fundamentado. El supuesto de dichas contrariedades trae consigo la incesante, y francamente aburrida, idea de conflicto, pero ¿es acaso necesaria en realidad? Basta con sacar la nariz por la ventana para darse cuenta de los límites tangibles de dicha problemática que, aunque en algunos casos más que necesaria, las más de las ocasiones solo es utilizada para justificar la defensa de los propios intereses. En la cotidianidad de la práctica diaria conceptos aparentemente opuestos se conjugan para crear cosas maravillosas. El ejemplo más simple, aunque a la vez el más complejo y antiguo, es el arquetipo de la duplicidad misma: luz y oscuridad. Al cobijo de dicha apreciación milenaria se han forjado obras maestras presentando lo mejor de ambos lados, pues, como es de imaginarse, no es posible uno si el otro. Siguiendo esta lógica, hace un par de años varios artistas del País del sol naciente fueron convocados por しのりゅー (Shinoryu) para crear piezas alusivas a dicha temática y presentarlas en una de las que, hasta ahora, es una de las mejores compilaciones que he escuchado. El día de hoy me gustaría hablar de la secuela de dicho compilatorio. Así que demos un vistazo a 光のチップチューンVS闇のチップチューン 対決コンピレーション2, traída a nosotros por novtos. Vamos a ello.
From time to time, it’s worthy to sit down and appreciate things from a different perspective. The rich contrast that comes from a wider range of experiences satisfies the curious spirits and helps to develop a solid criterion – a rational one. Of course, music is no exception to that. As there is something for every taste is inevitable to fall down the pit of the faulty generalization when something is not of our particular interest. That same fact leads us to miss valuable opportunities to expand the limits of our preferences. Today, I want to share with you a work by Harley Likes Music that will make you give a second opportunity to the rough side of the chipmusic (in case it’s not your cup of tea). The contagious rhythms and the high energy of this music are the perfect introduction to the realm of the crunchy sounds. So let’s take a look over ‘Licensed & Bonded’ by HarleyLikesMusic and released through Pterodactyl Squad.
Originally posted on the ChipWIN Blog on January 10th, 2019. Edited by Joseph Eidson.
Greetings! I’m Pixel Guy. When I was beginning my way on the fantastic world of chipmusic a few years ago, everything seemed to be so surreal. The ambience, the people, the hardware and techniques; it was like an anachronistic dream.
It was back then when I first knew about Chiptunes = WIN and listened to Volume 4 for the very first time. I can say that my life changed after those 3+ hours of music and that was, to a greater extent, thanks to all the marvelous artists on that compilation. One of them, 梅干茶漬け (Umeboshi Chazuke), made a really stunning creation and got my attention from the first second. When the track, and with it the compilation, was over; I was truly amazed with all the music I’d just heard. I wanted more, so I searched and listened to more content from a huge majority of all the artists that were on that Volume, and I kept an eye on Soundcloud to catch up new releases, especially from 梅干茶漬け. That’s how I began my musical adventure. Today, I’m writing my first album review ever, and it’s something really special for me. That’s why I want to write about one of the artists who inspired me to take the musical way; so let’s take a look over ‘あじたま見聞録’ (Ajitama Kenmon Roku) by 梅干茶漬け (Umeboshi Chazuke)!
Originally Posted on the ChipWIN Blog on February 12th, 2019 Edited by Adam Seats.
Since the beginning, humanity has had some epic arguments about just the most important, finest and serious topics: why are we here? Good or evil? Should the pizza be topped with pineapple? And of course: does Sega really do what NintenDoesn’t? Well, I won’t intend nor dare to give an answer to any of the previously mentioned questions (especially to the last one); but if you are up for some quality FM Chiptune, today’s article is going to completely blow your mind.
From all the options we have to listen and appreciate chiptune nowadays, it’s always nice to find some first-rate music made specifically to be played on a Sega Genesis. That’s why when I knew that there was a Montreal artist who makes it, I got myself ready for an incredible experience. Of course I’m talking about Game Genie Sokolov. Maybe you remember GG Sokolov’s tremendous work from ‘Chiptunes = WIN Vol. 5’, ‘Deskpop & ChipWIN’ or ‘FM: Possible 2‘; but this time we’ll talk about this new and super awe-inspiring album: ‘Insert Disk 02’ released through the French Canadian netlabel Lisbon Lux Records. So let’s take a look over it… Sega style!
Originally Posted on the ChipWIN Blog on March 14th, 2019. Edited by Aydan Scott.
About a year ago, the way I see, listen, and even make chiptune changed completely thanks to a brilliant album filled with funky rhythms and bright harmonies in a way I’d never imagined possible. So, when I discovered the songs were made using a huge range of techniques involving FM Synthesis and decided to delve into it, a whole new world of possibilities opened up to me. I discovered new sounds and styles; nearly infinite possibilities to express oneself through a limited sound chip.
A few months later, and with a musical phrase stuck in my head after clicking a link posted by President Hoodie, I realized the contrasting and flexible nature of FM chipmusic. All the credit for this epiphany of mine goes to a single person, whose fresh way of making music really stuck with me: Karl Brueggemann. Today, I want to talk about the album that made me realize just how cool FM Synthesis could be. So let’s take a look at ‘High Flyer’ by Karl Brueggemann, released through Super Marcato Bros.